![]() The new model was covered in Tolex rather than “tweed ” still a combo in brown Tolex for 1960, and then a blonde-covered head-and-cab piggyback 1961-63. The 6G7 and revised 7-A circuit used the long-tail pair phase inverter introduced with the 1957 Bassman, used a solid-state rather than a tube rectifier, and also included a vibrato that is heralded as Fender’s best by many enthusiasts. A classic Fender piggy-back amp This amp sounds excellent and is in very good condition showing only light signs of wear. “Blonde” aficionados feel this circuit has superior tonal characteristics when overdriven, to the AB763 circuit. The circuit was used from 1960 until July 1963 when the “AB763” circuit was introduced. The 6G(n) (“brownface”) circuit was used in several Fender amplifiers, including the Bandmaster. In the 2000s, vintage Bandmaster amps remain in use by blues, Americana and rock and roll bands. Beginning in 1960, Bandmaster amps were equipped with a vibrato effect. Along the way it was also available, from 1955 to 1960, as a 28 watt 3×10 inch speaker combo. ![]() You must log in or register to reply here. First appearing in 1954 and built to 1974, the Fender Bandmaster amplifier transformed from a 26 watt single-15 inch tweed combo to, in 1961, a 40 watt head and 2×12 cabinet set. They can be had for about the price of a stompbox.I see the heads going for between 200 - 300. Fantastic Fender cleans, and work well with pedals. Some early models had both a microphone input and instrument inputs. The early silverface bandmasters are a great sounding 6L6 amp and right now the steal of the century. It was introduced in 1953 and discontinued in 1974. Changed 250pf ceramic preamp caps to silver micas.The Fender Bandmaster was a musical instrument amplifier made by Fender.1959 Bandmaster specification Narrow panel, diagonal tweed covering 3 × 10 /2. I sold this amp to my good friend Geoff, but am going to leave this page up for the mods and because it's such a cool amp. The entire rig was a gift from Joe Walsh in 1970, and consisted of a 1959 Gretsch 6120 Chet Atkins ‘Hollow Body’ guitar, the 1959 Fender Bandmaster 3×10 combo, a Whirlwind cable and the Edwards Light Beam volume pedal. I used a couple of RCA 7025s and an EH 12AX7 for the preamp.Īfter all that, the amp sounds great!!! Utterly terrific classic Fender tone with superb cleans, and great overdrive when cranked with a Tube Screamer. (See below for how to do this mod.) Finally, I swapped out the 250pf ceramic caps in the preamp, and the 500pf ceramic in the phase inverter for a silver mica.The bright switch caps I left alone.Īs far as tubes go, I'm running a pair of Sovtek 5881's right now, the amp sounds great with them. The item will be made for you in the selected material and color after purchase. Material & Color Production and shipping - delivery time about 5-10 days. Available in Polyester or Synthetic Leather. Also, I replaced the tremolo intensity pot with one that had a switch on it, so I could switch the tremolo circuit in and out of the signal path, providing a very noticeable bump in gain for the amp. FENDER BANDMASTER 1963 67 AMP Amplifier cover by Viktory 45.69 High-quality Amplifier dust cover for FENDER BANDMASTER 1963 67 AMP. I have modified most of my other Fender amps in one way or another and wanted to keep this one as stock as possible, so I only did a couple of minor mods. The first thing I did was to replace all the electrolytic caps and installed a grounded power cord. 3 user reviews on Fender Bandmaster (Blackface) Tube amps of the 60 or 70, the old circuit (wiring by hand with high quality), 2 power tubes (45 watts), 2 channels with boost, 3 pots (volume, bass and treble), vibrato. ![]() It obviously needed a cap job and a tune-up. It had bad power tubes in it and didn't sound very good. Quality wire and parts, and very neat layout. You can sure tell the difference from a pre-CBS amp and one that Leo built. This Bandmaster was bone stock when I got it check out the picture below.
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